April 2003

*Hip Hop News Bits
*Paris Set to Screen New Documentary About 9-11
*Indianapolis Mayor Forms Hip Hop Task Force
*Use the Term 'Hip Hop' and You Will Pay a Licensing Fee
*A Hip Hop review of the Movie 'Head of State'

The FNV Hip Hop [TM] Newsletter c 2002
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50 Cent is seeking to sell the rights to his memoirs, titled "Number
One With Nine Bullets." The book will detail the death of his mother,
his life in the streets & how he hooked up with Eminem & Dr. Dre.
The book will also include at least 25 poems the rapper has written &
is scheduled to be released by Christmas.

Jay-Z & Nas were named two of the top 50 most hated New Yorker's
according to polls taken by The New York Press for their 1st annual
"50 Most Loathsome New Yorkers" list. "In a naked attempt to
recapture the marketing magic of the Tupac-Biggie war...the two
lackluster rappers spent years trading various asinine threats &
insults," the New York Press reported.


One and a half years after the 9/11 tragedy, there is still no
comprehensive investigation into the events of that day. The United
States is now involved in a global conflict against terrorism, much of
it based solely on assumptions of guilt for the attacks on American
soil. But what if everything you knew about 9/11 was wrong?

Sundance-award winning producers Guerrilla News Network present:

AfterMath: Unanswered Questions from 9/11.

Narrated and scored by Paris and featuring interviews shot by GNN
syndicate producers in six cities, AfterMath features nine (9) people
answering eleven (11) of the most pressing questions that emanate from
the terrible and, as yet, unexplained, events of that day. As you
will see, these are questions that continue to overshadow and
critically challenge the official 'version' of the story.

Exclusive East Bay screening (film makers present)

April 4, 7:00PM

Nahl Hall at the (South East Corner of Campus)
CCAC Oakland campus
5212 Broadway, Oakland, CA 94618
Phone: 510.594.3600 College Campus Number

By Nolan Strong

Indianapolis, Indiana Mayor Bart Peterson has formed a task force to
look into claims of discrimination against African-Americans.

In 2001, club owners in the Broad Ripple area met with deputy police
chief William Reardon and agreed to limit the amount of hip-hop and
rap music that was played in local establishments.

When J.Y.'s opened in the area, it came under fire from other bar
owners for hosting hiphop parties over the weekend.

Other club owners began to complain about the crowds and other
businesses in the area started to close earlier than usual.

While most of the clientele at Broad Ripple establishment are white,
J.Y.'s has mostly black patrons. City Councilman James Bradford
didn't agree that race was a factor, and instead blamed the music.

"If you play this gangsta rap, it brings in gang bangers," Bradford
told the Indianapolis Star. "I'm not going to let Broad Ripple get
out of hand. I'm not going to wait until someone gets shot. When you
put the wrong type of music together, it generates problems."

"They are definitely causing trouble," Steve Ross, owner of The Vogue
nightclub added. "They have caused problems by bringing people who
have a lack of respect and have very big attitudes."

Indianapolis Police Department records show 86 calls of serious crimes
to The Vogue's address, as opposed to 27 calls to J.Y.'s.

"I'm concerned because there is a suggestion that not everybody is
welcome in Broad Ripple," Peterson said. "If that is the perception
of some people, then it is an issue we should examine."

Courtesy of allhiphop.com


by Davey D

It looks like the Hip Hop community now faces its biggest challenge.
Forget police task forces or discriminating night club owners, folks
will now have to gear up to do some serious battle with a Los Angeles
businessman named Richard Gonahangya and his company America Media
Operative Inc. For those who don't know AMO Inc is a little known
company that specializes in lobbying Congress and advising government
officials on media policy. They yield a lot of influence over the FCC
and other agencies that determine policy. The word around town is
'what they say goes'.

Gonahangya a staunch conservative, held a small press conference in
Compton, Ca yesterday to announce that his company AMO Inc had
recently trademarked and brought the rights to the word/phrase 'Hip
Hop'. As a result they will soon start charging a licensing fee for
anyone who wishes to use the word in a commercial/ for profit project.

Taking advantage of a provision in the recently amended Millennium
Copyright Act of 2001, Gonahangya explained that he and his company
have all the legal ammunition and clearance to own the rights to the
phrase 'Hip Hop'. He noted that the Hip Hop industry has generated
over 20 billion dollars last year in the United States alone. The
phrase Hip Hop is now a powerful marketing tool and his company is
posed to profit handsomely in 2003 from its 'proper' usage. The new
licensing fee is estimated to net AMO Inc a whooping 5-8 billion
dollars a year.

"Any business including record labels, videos, radio stations or
television shows that use the phrase 'Hip Hop' in the title or
marketing body of their work will have to pay AMO Inc a licensing
fee", Gonahangya told reporters. 'We are not attempting to stifle
free speech or muzzle popular culture.. we have no legal grounds from
preventing anyone who wishes to use the word in everyday speech,
however if you are using the word in a manner that associates you with
a salable product, then we fully intend to collect our fee".

Gonahangya went on to explain that what he is doing is not unusual.
There are many popular words that are used in everyday conversations
that are trademarked and cannot be used in commercial ventures without
permission. 'The word 'Xerox' is often used interchangeably with
'copy'. The word 'Vaseline' is used interchangeably with lotion or
grease. he also explained that the word Rock-N-Roll is trademarked by
a major label record executive who at the time could not charge a
licensing fee.

Gonahangya laid out his company's strategy for 2003. He explained
that AMO Inc is giving record labels and performers a one month grace
period to get their business affairs in order. Starting in May
letters will be sent out to anyone who is using the term 'Hip Hop'
explaining that the word is now trademarked and that if they wish to
continue to use it in the body of their work, they will have to
register with his company and be assessed a licensing fee. Letters
have already been sent to several Hip Hop internet websites with more
to come. He estimated the average fee will be anywhere from 2-5
thousand dollars plus residual fees per project. Permission to use
the word will be on a case by case basis. In addition any future
projects released using the term ' Hip Hop' will have to have the 'TM'
symbol next to the word.

When asked if he felt AMO Inc was being exploitative and attempting to
blackmail a viable popular culture, Gonahangya bluntly stated; 'This
is not about culture. This is about business... The laws have been
set up for anyone and everyone to use. Our company took advantage of
what was on the books for almost a year and that what we are doing is
now perfectly legal... Hip Hop is a big multi-billion dollar a year
business. I was surprised that a big executive like Russell Simmons
or Clive Davis or even business savy rappers like Jay-Z, P-Diddy or
Eminem never trademarked the phrase. Everyone in America knows that
you don't do business without protecting your assets. It's just plain
stupid not to leave yourself this wide open.. If the Hip Hop
community is that dumb when it comes to business then too bad. Don't
make me out to be the bad guy".

When asked if he intends to share any of the profits from licensing
the word 'Hip Hop' with any of Hip Hop's pioneers including Lovebug
Starski who first coined the phrase back in the lates 70s or Afrika
Bambaataa who popularized and spread the word, Gonahangya laughed. 'I
never heard of a Mr Starski and as for sharing profits with people
from Africa..No my people are originally from Denmark, Norway.

When another reporter told Gonahangya that Afrika Bambaataa was
someone's name, Gonahangya shrugged it off and said he had no
intentions of sharing the profits with anyone but his company and his
family." However, he did offer a discounted licensing fee for Starski
and Bambaataa since they coined and helped popularized the term.

When asked if there would be any sort of criteria set up to determine
who will and will not be allowed to use the phrase 'Hip Hop',
Gonahangya explained that for most part if a company has the money and
a viable revenue stream for residual payments then it should be a
'piece of cake'. As for criteria, Gonahangya explained that he has
very little tolerance and respect for individuals and companies that
are attempting to use the phrase Hip Hop for political gain.

"Recently the term 'Hip Hop' has been positioned as a
progressive/liberal movement. That's unfair and a totally one-sided
approach to what is an American institution.Hip Hop is for everyone.
It is not a slick political campaign tool for Jesse Jackson, Al
Sharpton or Hillary Clinton.", he retorted

Gonahangya became evasive when asked if he would allow the term Hip
Hop to be used by any of the conservative organizations that he
regularly associates with and lobbies for. " To be honest we have not
ruled them out. We believe that Hip Hop needs to be politically
balanced. For years Hip Hop has been associated with liberal causes
that have totally undermined the moral fiber of this country. We will
be very selective as to how Hip Hop will be used politically", he said

Gonahangya continued; "I will assure you this... In the future you
will not be seeing billboards or magazine ads with the words 'Hip Hop'
and Reparations, 'Hip Hop' and Affirmative Action or even 'Hip Hop'
and Black Power anytime soon. If it hasn't come through our offices
and been granted a licensing fee then its existence will be in
violation of the Millennium Copyright Act of 2001 and we intend to
aggressively go after any violators and prosecute. This about
political integrity and money".

Some our speculating that Gonahangya intends to use his ownership of
the now trademarked term 'Hip Hop' to quiet down any sort of political
movement that has been organizing around the term in time for the 2004

We caught up with Greg Watkins webmaster of the popular site
allhiphop.com and he noted that he had received a letter from
Gonahangya's AMO Inc company earlier this month. "He told us in the
letter that we were in violation of his this trademark law and that me
and my partner Chuck would have to pay licensing fee if we wanted to
keep the word 'Hip Hop in our name. We checked with our lawyers and
found out that we were safe because we are allhiphop and not just 'hip
hop'. It's obvious these guys are serious about collecting their

We caught up with long time Bay Area writer and Hip Hop deejay Billy
Jam who does the Hip Hop Slam radio show and has the website Hip Hop
Slam. "Yeah this attorney contacted my attorney and said I would have
to take the 'Hip Hop' out of Hip Hop Slam or pay a fee if I want to
continue doing business. At first I thought it was a joke and then
days later I received a subpoena to show up in court. I was told if I
don't remove the word Hip Hop from Hip Hop Slam or pay a licensing fee
then I could lose my house, my car and my prized record collection".
Normally I don't give a damn about such things, but I can't afford to
lose my records", Billy Jam said

We caught up with popular Bay Area rapper /writer JR The Rap Slanger
out of East Oakland. He said: " Look man, this country's always been
about business and fools is gonna try and collect their paper. But
this is straight up bullS%$T. How's this fool gonna try and trademark
a word and collect a fee? Brothas need to rise up and retaliate and
put a foot in his ass. But let's be honest, me personally I don't
have to worry because I'm not really Hip Hop. I rap. I'm a rapper.
There's a difference between rap and Hip Hop. I guess Hip Hop is
gonna die but rap is gonna go on forever! He didn't trademark the
word Rap did he? "

As far as I can tell the word rap is not trademarked. Nor can it be
because of it's long standing everyday usage.

We checked with famed NY copyright attorney Arnold Esquire Sullivan
and he soberly explained that the new provisions that have been added
does indeed give AMO Inc the right to trademark and collect a
licensing fee for use of the word Hip Hop and any other coined
'unique' phrase. If the word is made up or unique to the American
lexicon then it can be trademarked and people will have to pay a fee
if they wish to use it in any sort of business endeavor.

Sullivan explained the new amendment went through around the same time
they were crafting the Patriot Act. "It's a shame people went to
sleep on this. I hate to say this but Negroes had better wake up and
start smelling the coffee. These people in Washington are not

Sullivan concluded by noting that failure to comply with the new
trademark laws can result in serious economic repercussions and a
stiff 5 year prison sentence. He noted that the stiff prison sentence
came after music industry executives and software companies lobbied
congress for harsher penalties for bootleggers and other 'copyright'
thieves'. "Unfortunately this new trademark law as it pertains to the
phrase Hip Hop can potentially land people in jail if they try to make
a profit off it', Sullivan noted.

At the end of the press conference Gonahangya explained that he is
currently in negotiations with a major broadcast company so that they
will have the exclusive rights to the word 'Hip Hop'. Gonahangya
declined to name the outlet that he is dealing with, but he did note
that should everything work out according to plan this media outlet
has vast resources and will set up offices throughout the country and
help determine which projects and products will be allowed to use the
term 'Hip Hop'. Gonahangya refused to say whether or not it would be
an outlet like Clear Channel, Viacom or Emmis that would be
determining who can or cannot use the word 'Hip Hop'. "It would be
premature for me to give out that information", he said

It is clear that big corporations and government lobbyist now own Hip

Gonahangya also reiterated the fact that he is extending a month long
grace period. He also used the occasion to pitch his new licensing
service. In what appeared to be a real cheesy move he stated that he
was offering a one time discount for the next two weeks. He explained
that he understands that there are a lot of non-profits that use the
phrase Hip Hop in literature and other marketing schemes and as a
result they will be granted a one time 500 dollar processing fee and
will subjected to the similar constraints of their 501 non profit
status. That means they can not use Hip Hop as a political marketing

Non political Independent record labels and artist can obtain a
lifetime license to use the word Hip Hop for 500 dollars. Gonahangya
explained that he believes in doing things for the community and this
is his way of giving back.

"Let it not be said I don't care for the underdog", he said. AMO Inc
is all about helping the downtrodden. We normally charge on average
of 5000 thousand plus lifetime residual fees, but because we care
about the little people we will offer Hip Hop [TM] for 500 dollars
licensing fee for the next two weeks.

If anyone wishes to fill out an application to see if you qualify to
use the term 'Hip Hop' in your product or if you want more information
on AMO Inc call them at 1-800-233-456

or Go to their webpage.

or drop me a line at misterdaveyd@earthlink.net 



Poli-Tainment Review: Head of State
By: Opio Lumumba Sokoni, J.D.

Once again Chris Rock finds a creative outlet to talk about some
serious issues. For instance, he asks, "Is it right that our children
are going to schools where there are old books and new metal
detectors?" He also asks, "Is it right that corporate criminals have
made it where instead of retired workers leaving wills to their
children they have to leave won'ts." In Head of State (Dream Works
Pictures), Chris Rock teams up with Bernie Mac to bring Hip Hop flavor
to the political status quo. This is a story about an activist DC
alderman (Mays Gilliam) who, even in the midst of heroism, hits
personal and professional rock bottom. His entire life takes a major
turn when the Democratic party chooses him to run for president - a
race they know he will lose. So they think.

During the campaign, he learns how the big leagues play the game and
decides to play it his own way. Using Hip Hop as a backdrop, Mays
Gilliam set up campaign ads resembling rap videos. The movie gets its
second wind, when he chooses Bernie Mac (Mitch) to run as his Vice
President. Together they keep it real funny on the campaign trail.
Hip Hop's number one hook master, Nate Dogg, blesses the movie with
narrative verses between the movie's breaking points. Robin Givens,
the girlfriend who leaves the struggling politician during hard times,
spends the rest of the movie trying to get back with him only to be
dissed by one word - "Security!!!"

What is unique about Chris Rock, he can get away with saying what many
may not be able to say in certain politically sensitive climates. For
instance, Rock's character gets slammed in the media after making an
off-the-record comment at a school shooting. Joking with a sound guy,
he states that the reason American children pick up guns so much is
because America sets the example by always bombing other countries.
Rock also provides an innovative way to make children aware of
legislation. He states that laws should be placed in music videos.
Brilliant! What better way to find out about laws that are currently
being proposed in Congress that could ban Hip Hop shows
actioncenter.drugpolicy.org/action/ than to be creative.

Chris Rock gets 3 out of four stars for this addition to Hip Hop
oriented films. From advertising Hip Hop music, artists and clothing,
to causing a white stampede due to "the roof is on fire" party chant,
Rock makes good on this one. Oh yea, listen for Miss Patti.

The FNV Newsletter c 2002
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